David Blackwood, January Visit Home. Etching and aquatint on paper.

David Blackwood. January Visit Home, 1975. Etching and aquatint on wove paper, Overall: 57.4 x 87.9 cm. Art Gallery of Ontario. Gift of David and Anita Blackwood, Port Hope, Ontario, 1999. © Estate of David Blackwood. Photo: AGO. 99/936

David Blackwood: Myth & Legend

On now until July 26, 2026

Located on Level 1 in Margaret Eaton Gallery ( #137), Marvin Gelber Gallery (#136), and Betty Ann & Fraser Elliott Gallery (#135)

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Admission is always FREE for AGO Members, AGO Annual Passholders & Ontarians under 25, and Indigenous Peoples. Learn more.

EXHIBITION OVERVIEW

A sweeping tribute to David Blackwood’s extraordinary printmaking legacy, where ice, sea, and story capture Newfoundland and Atlantic Canada with quiet power and unforgettable beauty.

One of Canada's best-known printmakers, David Blackwood (1941–2022) put onto paper an enduring vision of Newfoundland. Born and raised on Bonavista Bay, his hauntingly beautiful images—suffused with struggle and myth—are drawn from childhood memories, dreams, superstitions, legends, and oral traditions.

Tracing Blackwood’s career from his first days as an art student at the Ontario College of Art to his final drawing, this expansive retrospective brings together more than 80 drawings and prints, alongside proofs, copperplates, and archival materials. Thanks to the generosity of the artist and his family, the AGO is home to Blackwood’s archives, and the largest collection of his work in the world. Curated by Alexa Greist, Curator & R. Fraser Elliott Chair, Prints and Drawings at the AGO, this exhibition aims to reveal the creative evolution of a beloved Canadian artist.

Organized by the Art Gallery of Ontario.


ABOUT THE ARTIST

David Blackwood (1941–2022) was born and raised in the community of Wesleyville, on Bonavista Bay in Newfoundland. In 1959, Blackwood left Newfoundland to attend the Ontario College of Art where he studied under John Alfsen, Carl Schaefer, William Roberts, Eric Freifeld, Rowley Murphy, and Jock MacDonald. Blackwood settled in Port Hope, Ontario, but continued to return to Newfoundland each summer. He died in 2022.

Reserve your copy of the official exhibition catalogue

Shop the exhibition

Celebrate legendary Canadian printmaker David Blackwood with this curated selection of textiles, gifts, prints, posters, and more.

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ARTWORKS FROM THE EXHIBITION

David Blackwood, Fire Down on the Labrador. Colour etching and aquatint on paper, Overall: 90.5 x 61.8 cm.

David Blackwood, Fire Down on the Labrador, 1980. Colour etching and aquatint on paper, Overall: 90.5 x 61.8 cm. Art Gallery of Ontario. Gift of David and Anita Blackwood, 2011. © Estate of David Blackwood. Photo: AGO. 2011/303

David Blackwood: Myth & Legend - artworks
David Blackwood, Aunt Gerti Hann Home in Wesleyville, 1987. Etching, aquatint, watercolour.

David Blackwood, Aunt Gerti Hann Home in Wesleyville, 1987. Etching, aquatint, watercolour, Sheet: 52.1 × 62 cm. Promised Gift of Anita Blackwood, Port Hope, Ontario. ©️ Estate of David Blackwood.

David Blackwood: Myth & Legend - artworks
David Blackwood, Wedding on Deer Island. Etching, aquatint, colour washes, white pencil.

David Blackwood, Wedding on Deer Island, 2020. Etching, aquatint, colour washes, white pencil, Sheet: 42.5 × 57.3 cm. Promised Gift of Anita Blackwood ©️ Estate of David Blackwood.

David Blackwood: Myth & Legend - artworks


PAST EVENTS - use this one

PAST EVENTS

Workshops
Maker Night: David Blackwood Stamping
Friday, January 9 | 6-9pm
Screenings
TV Nights with the NFB: Celebrating Newfoundland
Friday, November 7, 6 pm, 2025

Join us on Friday, November 7, in Walker Court for TV nights with the NFB, courtesy of National Film Board of Canada.   Watch a selection of short films about the beauty

Talks
Seamus O'Regan and Alexa Greist on the Impact of David Blackwood's Art
Wednesday, October 29, 7 pm, 2025

Join the Honourable Seamus O'Regan in Conversation with Alexa Greist, AGO Curator and R.

Member Exclusive
Special Events
Members' Access: David Blackwood: Myth & Legend
Wednesday, October 8 - Monday, October 13

Join us for exclusive Members’ Access from Wednesday, October 8 to Monday, October 13 to mark the opening of 

Member Exclusive
Special Events
Exclusive AGO Members' Night
Wednesday, October 8, 2025 | 5–9 pm

You’re invited to an unforgettable evening at the Gallery—designed just for our Members.


MULTISENSORY MOMENTS

Scent Stations

In collaboration with Dr. Melanie McBride, we have designed two unique scent stations to accompany concepts and themes in the exhibition.

As you move through the space, look out for this symbol:

icon of nose sniffing scent

 

David Blackwood: Myth & Legend - Scent Stations

David Blackwood’s studio visit

Blackwood’s Studio

This composition imagines what Blackwood’s printmaking studio might have smelled like, with a focus on the materials that were unique to his process of intaglio etching. Ingredients including smoky, tar-like “ball ground” processed from pine resins, beeswax absolute (Apis Mellifera L.), Charbonnel intaglio ink, which smells of the oily-fatty linseed oil binder, and a hint of cabreuva, a wood oil that recalls the scent of metal. Fossilized Amber (Oleum succini / Anbar), extracted from 35-million-year-old Himalayan fossilized tree resin, evokes the warmth of an indoor studio.

David Blackwood’s studio visit, November 11, 2009. Photo: Ian Lefebvre.

David Blackwood, The Great Peace of Brian and Martin Winsor (detail)

Newfoundland’s Coast

Blackwood grew up in the coastal community of Wesleyville, where he and his father would fish for cod and lobsters in the Atlantic Ocean. This composition evokes the scentscape of Newfoundland’s coast—a blast of briny, salty, iodine seawater, sea-air cured wooden structures, and a symbolic note of ambergris,* an animalic musk that originates in the belly of Sperm whales, as well as themes depicted in Blackwood’s prints like ice floes, whales, and fishing towns. Rounding out the composition is fine seaweed absolute (Fucus vesiculosus, also known as "bladderwrack") and traces of dimethyl sulfide (DMS), the primary chemical that produces the scent of the sea released naturally by phytoplankton.

*The ambergris note is synthetic and does not contain any animal materials.

David Blackwood, The Great Peace of Brian and Martin Winsor (detail), 1982. Gift of David and Anita Blackwood, 2014.

McBride describes her creation of the scents for this exhibition

David Blackwood: Myth & Legend features two original mixed-media compositions of natural essences and synthetic aroma molecules inspired by Blackwood’s artistic practice and themes in his prints. Given the volume of natural materials in the compositions, these scents will change and evolve over time, offering a different experience to visitors over the duration of the exhibition. The scents strike a symbolic contrast between culture and nature, hot and cold, life and death, and bridging myth and realism. The purpose of these scents is to offer a sensory experience of the artworks that invites visitors to participate in meaning-making and deciphering both familiar and unfamiliar smells. Visitors are encouraged to reflect on their own subjective associations, lived experiences, and emotional responses to the scents.

About Melanie McBride

Dr. Melanie McBride is a Toronto-based artist-practitioner, researcher, and founder of the Aroma Inquiry Lab at Metropolitan University’s Responsive Ecologies Lab. She is trained in perfumery and has conducted international fieldwork research on the use of scent for cultural heritage mediation. She has led master classes on aroma learning and developed original mixed-media compositions and aromatic learning objects for educational and cultural heritage projects. 

 


CONTEMPORARY ARTIST COMMISSION

Still.Drift.Return (2025) by Jerry Ropson

For this exhibition, Newfoundland-born artist Jerry Ropson created an immersive video work as a contemporary response to David Blackwood’s visual world and geographic heritage. Ropson shared: “I belong to a generation shaped by Blackwood’s imagery ... My response draws from that inherited visual lexicon, filtered through distance, change, and critical affection.... While he archived, I often unsettle. Yet, we both work from a deep respect for what fades and vanishes.” Additionally, the artist created an original soundscape for this work, which includes sounds ranging from wind and water to sputtering boat motors and rhythmic ink rolling on an etching plate.

About the artist

Jerry Ropson is a conceptual artist with an interest in the politics of rural life and its demise, mythology, ritual, the occult, and folklore. He was raised in Ktaqumuk (Newfoundland) in the resettled outport community of Pollards Point and currently resides in Siknikt-Mi’kma’ki (Sackville, New Brunswick).

Jerry Ropson, Still.Drift.Return (still)

Jerry Ropson, Still.Drift.Return (still), 2025. Courtesy of the artist.


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